That NME would confer such a dubious honor upon Gaga’s latest work may be seen as just one more example of how the general listener consciousness appears to be growing increasingly disenchanted with the pop musician’s work, a disenchantment perhaps spurred by a recent movement towards authenticity in music. Such a movement has its most prominent example in the continued success of Adele, whose 21 rose in sales charts as Born This Way plummeted and won the British singer a multitude of awards, including Album of the Year, at this year’s Grammys while Gaga remained firmly in her seat, unable to do a thing about it.
Gaga is – perhaps surprisingly, given how consistently she’s occupied the spotlight in our often fickle music industry – only twenty-five years old, two years older than Adele herself. One might expect that, given the generally adult way Gaga has addressed criticism of her work, she wouldn’t respond to the NME article at all, say “oh well”, and keep on singing to her Little Monsters. Unfortunately, this was not the case.
Gaga responded to the NME article on Twitter with the sort of spiteful, knee-jerk reaction you might expect from someone in their early adolescence, a retort you might hear even on the playground in middle school:
Oh the irony of winning "Most Pretentious Album Ever" from none other than NME. *eyeroll* I might laugh forever + then return to narcissism.
Does this sound like what a seemingly well-adjusted twenty five-year-old public personality might say to you? An artist that has the unyielding adoration and support of thousands – even millions – of fans and would, given this support, probably not give a care as to what her detractors think? Perhaps a phenomenon similar to the rise of Adele is occurring, a phenomenon in which Lady Gaga herself may be becoming increasingly aware of dints in her disco-plated armour.